The Bones of Who We Are: Gratitude
It has been a week since The Bones of Who We Are released. A gorgeous week filled with support for Gabe and his story. I am so very grateful. I remember when I got to that point I was ready to share the story, how terrifying it was because I knew I’d taken a risk with his story, but with the wonderful and supportive feedback, I am so ecstatic.
John Green said in a Crash Course about Literature that when an author lets go of the story and gives it over to the audience, it ceases being the author’s story and becomes the readers’. I love this. So, I’d like to share some of the impressions Gabe’s story in THE BONES OF WHO WE ARE has provided to readers.
“... the words were magic, each line so delicately put like a song you wanted to continue singing... the author sends you spiraling inside [Gabe’s] brain and his story ... and each step of the way, you become [his] cheerleader...”
“...it is rare to find a novel, a character that resembles oneself - at least for me - it was as if I was looking into a mirror... CL Walters talent for capturing, conjuring the essence of her characters is remarkable... [She] is a talent that you do not want to miss.”
“I became a fast fan of CL Walters after reading Swimming Sideways and The Ugly Truth. The Bones of Who We Are is a brilliant conclusion to the Cantos Chronicles YA Book Series.””
“Have to warn you, have tissues next to you while you read. You’ll need them.”
“The aspect that makes these books so good is that the themes, conflicts, and internal battles are deeply relatable...”
“Walters tackles heavy, important issues like Mental health and Racism with grace and tact - with a responsibility to the story without losing her voice. Beautifully paced, she drew me in but kept me guessing as the story moved to a breathless conclusion... This is a story everyone needs to read.”
Thank you so much to all of the readers who have read Gabe’s story. I am so deeply humbled and grateful for your willingness to take a chance on Swimming Sideways, The Ugly Truth and now, The Bones of Who We Are. Please continue to share your experience with me, with others. I believe in these stories, and it is so wonderful that you do too.
Available here
The Bones of Who We Are: It's time.
It’s here! Tomorrow - Tuesday - October 1, 2019, The Bones of Who We Are is out. It’s been an arduous (thought fulfilling) adventure, and I couldn’t be more excited and proud of this story. I can’t wait to hear what you think of Gabe’s journey, so be sure to post a review to Amazon, share it on Facebook, Instagram, and Twitter. I’m looking forward to it.
“[This story is] emotional and thought provoking. We all need a hand in finding the beauty within.”
“Martha and Dale . . .they smile laughing and dancing to music only they can hear. I’m at the dining table watching them and for a split second, I allow myself to think about a future I’ve never considered before...”
The Bones of Who We Are: A Difficult Story
My father - my rock - passed away in October 2017. I miss him everyday. I didn’t think I would ever find the words to write again. When I tried, all that made it to the page were visceral and painful images of where I was stuck: my cave. About six months later, I was sitting at a traffic light and heard Abby say “I need you to write my story.” The pilot light was relit, and I found my way through a new draft of SWIMMING SIDEWAYS.
The summer of 2018, with SWIMMING SIDEWAYS and THE UGLY TRUTH drafted, I went home to Oregon for a month to help my mom and sister go through my father’s things. Most of the month was spent broken-hearted, trudging through necessary spaces. I cleaned the garage breathing in my father’s work space and going through each of his tools. This was something my mother wasn’t going to be able to do. My dad and his workshop were symbiotic; he could fix anything, and his workshop reflected this. So, immersion in his workshop, going through each of his toolboxes and trinkets, the jars of things he saved because they’d come in handy one day, cracked me open. Somehow, in the breaking of my heart and the diligent reorganization of his things, I was able to assemble the broken parts of myself back together. It was during this four weeks in Oregon that I began drafting Gabe’s story, and as I stitched myself back together, Gabe’s began to unravel.
I’ve warned readers that Gabe’s story isn’t an easy story to experience, and that is because THE BONES OF WHO WE ARE deals with heavy topics: bullying, depression, identity, loss, grief. Maybe in a way, the loss of my father is reflected in the pain of Gabe. My pain became his, though Gabe’s story was always this, I just couldn’t write it before. The pivotal scene in the book - the reason Gabe is who he is - was written back in 2009, eight years before I lost my father; nine years before I went through his workshop and faced my own undoing.
Perhaps, I was never going to be equipped to tell Gabe’s story without understanding the complete loss of someone so essential to my own identity. Perhaps, sitting inside my father’s workshop by myself allowed me to grasp loss, life, and grief in a way I never would have without that struggle. As writers our life experiences impact the depth of our knowledge. Virginia Woolf wrote, “Every secret of a writer’s soul, every experience of his life, every quality of his mind is written large in his works.” So, I suppose by realizing how painful it was to look at my father’s empty steel-toed work boots and be slammed with the awareness of how much I missed him, it forced me to jump into the deep end of loss. When the only thing I could do was climb into bed and bury myself in romance novels because those stories were as much as I could handle to not sink and drown, I found a way to tread water. Perhaps, this trial was the only way I was ever going to be able to empathize with Gabe’s experience.
THE BONES OF WHO WE ARE isn’t an easy story, but then life, love, loss, grief never are. That is the truth of what it means to be human. We hurt, but there is power in the warmth of hope. That - the hope - is what my father would have loved about Gabe’s story.
NEXT WEEK: A Letter from Gabe to readers
Happy Book Birthday: A Character Interview
Interview with Adam Kāne and Alexandra James from…
The Letters She Left Behind
May 6, 2019
New romantic suspense book by CL Walters available May 7, 2019
Tomorrow is the book birthday for my new adult romantic suspense The Letters She Left Behind. In celebration, I thought I would commemorate the event with an interview of the main characters, Adam Kāne and Dr. Alex James. Born on the page in 2004, these characters have waited patiently for this author to rediscover them in 2019.
Some context for your reader imaginations:
Adam Kāne is a successful Hawaii business man at 47. He’s hard working, and loves his children. He misses his late wife and is in the late stages of grief at the opening of this story; he’s complex and definitely not perfect. Of course, he’s perfectly handsome - a gorgeous Hawaiian man (does Hugh Jackman with Hawaiian features help to picture him?).
Alex James - Adam’s counterpart - is an independent and smart woman. A forty-six year old college professor who’s bread and butter is Women’s Studies, she’s bright. But she also a fallible human woman who has secretly loved Adam for her entire adult life. She’s a beautiful, engaging, loyal, and funny. When I think of Alex - the beautiful Lauren Graham comes to mind.
So now, fifteen years after their creation … without further ado:
Welcome, Adam and Alex. I know that living in my head has probably been a bit stifling. Was it worth the wait?
Adam: Definitely. I’m a patient guy.
Alex: Sure, though it’s difficult sitting around and waiting for you to get your act together.
Hahaha! Wow. Okay. Why do I feel like there’s more in those answers than meets the eye.
Alex: I’m not one for being passive aggressive, CL, but you did write the story. You know.
Adam: (chuckles and shakes his head): Patience is a virtue. So is biting one’s tongue when necessary.
Moving on then. Without giving any spoilers, what do you like best about your story?
Alex: Megan. While she doesn’t make a huge appearance in the story, her part in the journey is equally important to the entire narrative on so many levels. I love that about her starring role. The way it all comes together.
Adam: Me too. I also like how there is the sense of time. The way life works sometimes to bend and twist in order to get you where you need to go when the timing is just right. It’s like as much as you might want something right now, it isn’t the right time for it.
Kind of like this story. Fifteen years ago, when I wrote it, I was in my late twenties - early thirties and here I was writing about grief and second chances. Perhaps I needed additional time and world view to draw the story together. On another note, there’s this point in the narrative when both of you see yourself - or the truth of who you are - outside of the fear. Can you comment on how that moment or moments like that are impactful.
Adam: I know exactly the moment you’re referencing, though I would say I had more than one of these sort of ah ha moments. It’s like that one step forward, two steps back paradigm. A person discovers a truth about themselves. Moves forward and then regresses until another discovery occurs. I think most times, for me anyway, those self-discoveries or facing those honest truths can be painful, which is why we regress.
Alex: I think so too, which is why sometimes we don’t face them. It’s easier just to stay in one place because the threat of change might be more than we can accept. I know that for my part in the story, this fear of things being different was paralyzing.
I love that scene - when you walk into the ocean, Alex. It was pivotal for your character.
Alex: Yes. Truly makes the difference in the overall movement of my journey.
What about you, Adam? Is there a pivotal scene for your character?
Adam: There are a few, but I don’t want to give anything away by sharing them. I can say at the beginning of the story, I’ve been in a tailspin of grief for nearly a year. I’m raw at the opening, at the precipice of either burying myself in it completely, or doing something different. Megan’s journals were pivotal for me. Without them - well, there wouldn’t be a story.
Let’s talk a little bit about place and culture. As a Hawaiian, Adam, do you think your ethnicity is relevant to the story?
Adam: Not so much. I think I represent a Hawaiian male, but I don’t necessarily embody the cultural values of being Hawaiian, if that makes sense. In all fairness, I would add that who I am is on the edge of understanding my own Hawaiian identity. With the loss of language and culture, how does one rediscover those losses when you’re disconnected from them?
Alex: Do you think that lack of culture then misrepresents you in the story?
Adam: No. I feel like it accurately represents that it is a missing piece in my life, but more could be done to explore that. Maybe not in this story, but perhaps in others. But I think place is explored and the usage of ʻOlelo Hawaii vocabulary which add depth to an understanding that Hawaii is more than a tourist destination.
Funny you mention stories to explore that. I’m working on a story for Trey. I don’t know if it will be a short story or longer - beginning stages - but that idea of cultural rediscovery is a theme I’m noticing as I work on it. Speaking of secondary characters, who do you think will be a fan favorite?
Adam: The kids.
Alex: The kids.
Neither of you are partial… Why the kids?
Alex: Each of them are unique and bring a whole different dimension to the story. Without them, I think the story wouldn’t be as layered.
Adam: I agree. I’d like to see them all with their own stories.
What are you hoping happens with your story?
Alex: I hope that a reader can close the book and feel like “Wow, I don’t need to worry about that thing anymore.” I think it’s easy to get caught up in the minutia of our lives and forget the big picture, the what’s really important.
Adam: That! Yes. And to remember that life is a journey. It doesn’t stop. It moves forward and we move along the timeline with it. Sometimes we’re blindsided, sometimes we’re broken, but always the timeline continues. Something else I hope people remember - we can’t live it alone. Along the way, we need those special people to share it with in some capacity.
Thank you for hanging out in my head for a bit. Happy Book Birthday tomorrow to The Letter She Left Behind!
Order here.
The Letters She Left Behind PLAYLIST
BOOK PLAYLIST
This Spotify playlist is a labor of love for two characters I’m so excited to share with you: Adam and Alexandra in The Letters She Left Behind (Available on Amazon May 7, 2019).
Each of the songs selected is a part of the journey of rewriting this story to share with you. The order of the Spotify playlist tells Adam’s and Alex’s story like a soundtrack, and as I wrote supported the emotional connection to their experience. I sincerely hope listening to this soundtrack will help you fall in love with them like I have; I adore this love story. All the feels. I hope the music will enhance your reading of the novel when you do.
Motion by Khalid
Bed by SYML
Naive by RKCB
Gravity by Sara Bareilles
Forgiven by Vancouver Sleep Clinic
1000 Times by Sara Bareilles
Josephine by RITUAL
Under You by Nick Jonas
This Ain’t Love by Andy Grammer
Breathe Again by Sara Bareilles
Better by Khalid
Hurt Somebody by Noah Kahn & Julia Michaels
Fuel on Fire by Bear’s Den
Hurt Nobody by Andrew Belle
Closure by Vancouver Sleep Clinic
Far Out Dust by Talos
Can’t Help Falling In Love with You by Kina Grannis
Crystalline by Jome
I Choose You by Sara Bareilles
As Long as I have You I’m Home by Imaginary Future
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